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Taylor Academy 12e electro acoustic guitar
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Built with a solid spruce top and layered walnut back and sides, the compact, inviting Academy 12e offers an approachable playing experience for guitarists of all skill levels. The torrefied spruce top, treated with our special roasting process, serves up bold sound with plenty of projection and a touch of aged-in warmth and sweetness. The armrest carved into the lower bout makes for a more comfortable feel for your strumming arm, while the Taylor neck features a slender profile that accommodates your fretting hand, making this a great choice for new learners. With built-in ES-B electronics for easy amplification and a padded gig bag for transportation, the Academy 12e is more than ready for the next step in your musical journey.
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Grand Concert
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
The smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.
Torrefied Spruce
By far the most popular and common wood used for acoustic guitar tops, spruce has a long heritage in the music world. In typical Taylor style, we’ve developed our signature recipe for a process called “torrefaction” to make spruce sound even richer and more sophisticated, adding a new dimension to this much-loved wood.
Torrefaction is a process in which spruce tops (before being added to guitar bodies) are roasted in ovens typically used for drying out wood so that it can be worked. The roasting process lends the wood a slightly darker visual hue while also altering its structure slightly to give it new sonic traits. In particular, torrefied spruce tops tend to sound warmer and sweeter, giving them a played-in quality you would expect from a much older piece of wood. While torrefaction cannot replicate the effects of decades of age and play, it does provide a touch of extra sonic depth without losing spruce’s trademark clarity, articulation or volume.
Layered Walnut
Taylor uses layered woods for the back and sides of some of their guitars for their blend of sound quality, durability, and affordability. Layered wood construction also allows them to preserve tonewood resources. Although layered wood guitars won’t yield quite the same level of tonal complexity as an all-solid guitar, all are paired with a solid wood top to produce a rich, responsive voice that will continue to improve with time and extended play. Layered walnut provides a strong backbone for our 100 Series, adding subtle touches of high-end sparkle together with midrange presence. An outer layer of walnut is overlaid onto a poplar core (with a layer of sapele on the other side). The layering process also allows them to bend an arch into the back for extra strength and produces a durable that travels well.
ES-B
The ES-B pickup incorporates Taylor’s Expression System 2 piezo design elements and features an onboard preamp with a built-in digital chromatic tuner. The preamp/tuner unit features an LED display for tuning and low battery indication, along with Tone and Volume controls. The preamp/tuner is powered by two button cell 3v lithium (CR2032) batteries. Two new batteries will provide approximately 300 hours of use. The ES-B conserves battery life using a standard on/off system that will automatically turn off if left on over 3 minutes. A low battery indicator on the LED display (located on the preamp circuit board) will display an “L” when the battery reaches 4.5 volts.
- Body Length: 19 1/2" / Body Width: 15" / Body Depth: 4 3/8"
- Clarity and balance reign in this small, comfortable body shape
- The smaller body and tapered waist make it the ultimate studio and stage guitar
- Features a short scale and lighter string tension making it easier to play
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
The smallest of Taylor’s full-size body shapes. Its compact dimensions make for a physically comfortable guitar with an intimate feel and sound. The smaller footprint keeps the overtones in check, contributing to a focused, articulate sound that’s well-suited for recording and stage work.
Torrefied Spruce
By far the most popular and common wood used for acoustic guitar tops, spruce has a long heritage in the music world. In typical Taylor style, we’ve developed our signature recipe for a process called “torrefaction” to make spruce sound even richer and more sophisticated, adding a new dimension to this much-loved wood.
Torrefaction is a process in which spruce tops (before being added to guitar bodies) are roasted in ovens typically used for drying out wood so that it can be worked. The roasting process lends the wood a slightly darker visual hue while also altering its structure slightly to give it new sonic traits. In particular, torrefied spruce tops tend to sound warmer and sweeter, giving them a played-in quality you would expect from a much older piece of wood. While torrefaction cannot replicate the effects of decades of age and play, it does provide a touch of extra sonic depth without losing spruce’s trademark clarity, articulation or volume.
Layered Walnut
Taylor uses layered woods for the back and sides of some of their guitars for their blend of sound quality, durability, and affordability. Layered wood construction also allows them to preserve tonewood resources. Although layered wood guitars won’t yield quite the same level of tonal complexity as an all-solid guitar, all are paired with a solid wood top to produce a rich, responsive voice that will continue to improve with time and extended play. Layered walnut provides a strong backbone for our 100 Series, adding subtle touches of high-end sparkle together with midrange presence. An outer layer of walnut is overlaid onto a poplar core (with a layer of sapele on the other side). The layering process also allows them to bend an arch into the back for extra strength and produces a durable that travels well.
ES-B
The ES-B pickup incorporates Taylor’s Expression System 2 piezo design elements and features an onboard preamp with a built-in digital chromatic tuner. The preamp/tuner unit features an LED display for tuning and low battery indication, along with Tone and Volume controls. The preamp/tuner is powered by two button cell 3v lithium (CR2032) batteries. Two new batteries will provide approximately 300 hours of use. The ES-B conserves battery life using a standard on/off system that will automatically turn off if left on over 3 minutes. A low battery indicator on the LED display (located on the preamp circuit board) will display an “L” when the battery reaches 4.5 volts.
